Tag Archives: ALMBWABPBIDCFERTIE

I realise that the name should change. It should no longer be “A Line Made By Walking and Assembling Bits and Pieces of the Bodywork of Illegally Dumped Cars Found at the Edge of Roads and Tracks in the Illawarra … Continue reading →

I could write about the plans for the installation and its practical development, but I have no wish for this to become a journal. These assembled posts do not simply provide a background to the project. They are intimately tied … Continue reading →

All of my walks have been made alone. A week or so ago, however, on the afternoon of the 11th of April, I organised a group walk around the large Mount Nebo, Mount Keira circuit. Visiting artists, Simon Pope and … Continue reading →

I must show this one image, if only to express a doubt. The image is a composite of all seven of the cutting actions. The seven sets of four images are each two feet wide and four feet high. They … Continue reading →

As much as I do my best to adhere to the various rules that I have established for myself in this project, there are always elements of failure. Sometimes it is because the specific rule only occurs to me in … Continue reading →

For the past week I had not been thinking much. Too many other things to do. If the work was not satisfactorily finished then let it fade away. There was now simply the practical necessity of installation, which really didn’t … Continue reading →

And finally here is the completed map composed of sketches produced at 15 minute intervals. It took some work to separate the pages and decipher the scribbled times in the upper right hand corners. I should note that this map, … Continue reading →

I should note that I have decided not to suspend the cut out pieces from the ceiling. Instead they will be simply balanced against one another to form an overall line on a small, unpainted pine table. I like the … Continue reading →

It occurs to me that this project has an ambivalent attitude to communication. At one level, it has a highly private aspect and engages with dimensions of silence. At another level, it makes all kinds of efforts to communicate – … Continue reading →