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The conceptual scheme: To illicitly cut out portions of illicitly dumped vehicles. To render bushwalking in illicit terms. To render illicit activities in terms of bushwalking and art, thus to make them, in some sense, licit. To confuse the licit and illicit, in the same manner that the dumped cars confuse the disturbingly alien and the intimacy of the native. They are alien and native at once – especially in their desolation.

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